Tuesday, February 28, 2017

Farfalle Stitch

I received an envelop with a selection of Farfalle beads from Preciosa Ornella, to participate in a contest. They offer to send samples of a particular shaped bead to beaders who, if they accept, have 14 days to come up with something to participate in the contest. That means that I had until the 7th of March.

Tests with hexagon and
octagon stitches
Generally I push my creative brain as far as possible for a contest, which takes a lot of feeling thinking and testing, in other words: a lot of time, so it's needless to say that 14 days sounded extremely short to come up with something new. But I liked the idea of a short deadline somehow. Deadlines have something energizing. I had a last bead to add to my Toho Challenge piece (which took 2 months to complete), photograph it and then could play with the Farfalle beads.

Mini Menat
My initial plan was to make something floral with one of the many Diamond Weave variations explained in my book, because the Farfalle beads behaved very well in the Mini Menat design.

I think that they bring great depth and texture to beadwork. They can be a strong structural bead in DW, but my attempts at little daisies, with either hexagon and octagon stitch didn't work as I hoped. Adding little white pearls to hold the center of the units to prevent the farfalle from dancing didn't work well, because with their peanut-shape (or butterfly or bowtie shape, as their name suggests), they interlock naturally.

To stand tall, they should have no room at all in the center of the beaded units, otherwise they flip, which means only 4 beads per unit in DW and I didn't want to use them like that. I could try to find another math or magic for the daisies, but the "texture"aspect of the beads took me on another path.

I had been willing to create a pentagon stitch in DW since quite a while... pentagon stitch would, perhaps, offer a less symetric, but still structured design aspect. I looked at the 5-bead units as if one half was a basic unit and the other half a hexagon unit, and added single and double bridges (thread cover beads), and suddenly something amazing appeared: the beads formed a gazillion of little butterflies!

"Constellation" - farfalle stitch
Some farfalle beads still misbehave, but that's ok. The cuff has a wonderful, uneven texture, as if it had been "glass-smithed", yet a strong, regular woven structure. It has a nice weight and a pleasant, thick feel. With the 14kt gold-plated seed beads, the cuff looks like a starry night.

Starry night (without constellation)
 And because I love pearls, I added little 2mm white rounds to emphasize the starry night look without taking away interest from the woven structure. Now it looks a little bit like the Hydra constellation in a dark, starry sky, hence the name "Constellation" for this cuff.

"Constellation"


Bats in the snow
And because I love Italy, and butterflies and because farfalle is the Italian translation for butterfly as well as for bowtie (which can also be "seen" in the structure), I can only call this stitch Farfalle stitch.

With Escher's drawings in mind, I started another cuff with black and white farfalle beads to better show the butterflies, but the texture of the beadwork looks like hail or snow - (I love it on its own) and the butterflies look more like little bats, and that, somehow, doesn't feel very compatible. So to show the little butterflies, I decided to make another cuff with Preciosa's beautiful Solgel seed beads, in a rainbow of colors, and alabaster white. 

I think that it is cute as a button:

"Butterfly rainbow" - farfalle stitch


 I love to see the two cuffs one beside the other, to show how two exactly the same pieces of work can have a different looks when different materials are used.


I started writing a tutorial for the butterfly bracelet.

Friday, February 24, 2017

A good design doesn't have to be complicated.

We all have a different way of looking at things due to our different backgrounds. Our preferences, age, education, environment, life... all these things influence our designs. With beads and thread, designers re-invent a use nobody thought of before, which is truly fascinating. Of course, it can happen that shaped beads are used in a similar manner by beaders and result in design collision. Which is never funny, but as we say, great minds think alike.


When I received the lovely Arkos beads by Puca to play with, they had already hit the market, in particular in Europe. So I looked a bit at what had already been done, and found many, many beautiful designs (there is so much talent out there, starting with Puca herself). But surprisingly not the simple one I had in mind. I might have missed it, so if you have made this design before, please let me know).

What I was very excited about is that it gave me the opportunity to finally use the camelia buttons I fell in love with some time ago. They are enamelled and heavy, which is good in this case, because they remain under the wrist and show the beautiful gold beads always on top. The gold finish being fragile, this will prevent them from rubbing on tables and desks.

I also like the contrast brought by the white pearls, which are added using Diamond Weave in variation 2 and the instructions on how to make a buttonhole. This is all explained in my book about Diamond Weave.

I really love the way the beads allow to create a scale pattern. I have this thing with gold fishes and dragon scales, you know, and I like a touch of deco and retro. It looks very beautiful on the wrist.

And you know what? It is so simple to make that I made a little diagram for you to play with yourself. You will probably need to adapt the bead count and clasp attachment, which is a bit tricky, but I am sure that you will succeed.

So voilĂ , here are the diagrammes for you to make your own De'Koi:


Have fun!
And if you want more designs by me, you can also visit my Etsy or Craftsy shops, 
or buy my book. Your support is much appreciated.