Wednesday, February 9, 2022

Design collision happens

Many people come to beading because something inside of them said “I can / want to do this too”. Then, after starting to gather information and learn to bead, they will show their first makes with pride. Then, after some playing and showing more, there might be occasions where they will hear “you need to give credit, you may not reverse engineer, you may not say that this is yours, you may not copy”. This results in loads of promising beaders abandoning our lovely Art form for another where things seem to be less complicated.

I am a designer who uses often geometric beadwork techniques. With the hope to show that it is not that complicated, I wrote this article about design collision, copying and copyright. It might, by far, not cover the whole subject, but I hope that it will answer many questions.

The photo shown here is
one offered on www.pixabay.com,
free for all use, without attribution.

We live in a world where spheres, aligned or placed in a certain manner can be seen as art. A photo of said spheres can also be considered as being art. What is certain is that somebody made these spheres, and someone made that photo, and they are entirely theirs until they decide what one or more may do with them. Like selling the spheres (to a public or private garden), or adding the photo where folks might download it without restriction or even attribution, or sell it.

Golden rule: refrain from using something without consent unless clearly stated otherwise.

The same applies to illustrations and texts in a magazine, book, or tutorial. Even if the magazine or tutorial is a free download, it is protected by copyright laws and only with the express consent of the author can it be copied or scanned, shared or hosted elsewhere on the Internet. Sites who publish other folks’ free patterns without consent are frauds. Quotes are allowed as long as there is an attribution to the author and the title of the publication.

What about beadwork?

It is a bit the same. I chose the example of the spheres because obviously, anyone can try to make spheres – it is a universal geometric form. Same for pyramids, cubes, and other geometric forms, made with triangles or other shapes which are primarily technique and where the actual designing resides rather in the color placement and motifs. Go make forms, but without copying all the beads in ABCDesigner’s beadwork. Do it your way.


Now spheres and rings can be rather difficult to succeed. Go through the struggle of finding the right number of increases and beads. You will probably make the same form as others after all, but it will feel good to conquer it on your own.

I started over 3 times to obtain a satisfying little round wreath for the earrings pictured above. The two other attempts failed because either the inside or the outside beads were competing for space, which resulted in wonky wheels. Try to make these earrings yourself without counting the number of beads used and see what happens. (No cheating!)

You want the exact same sphere as ABCDesigner? Buy the physical object. Or buy the tutorial. If none of these are available, ask the designer if he / she agrees that you make the same on your own. Some will say yes. Some will refuse. Accept that No is an answer and that you cannot have / own everything. Move on.

The photo above is one of DiMarca Online’s Peyote Ball designs.


There are enough other beady delights out there to make and marvel at. There are even groups on Facebook where you can bead for designers who search for enthusiasts to test-bead their colourings.
 

You have a tutorial from another designer and wish to use elements from it in your own creation? Make sure that it is ok to use (generally it is), and give credit to the other designer for the element(s). The beautiful star design on the left, by Helen McIntyre, illustrates this well: the legs of her star come from Melanie de Miguel’s class teaching “Byzantine Cross”. Little changes were necessary to create the star, but in its essence, it is Melanie’s cross with a 5th leg. Helen never made a pattern for it because she doesn’t consider it as hers. 

 

Red “Möbius Star”
available from
KrisDesignFSP

You wish to write a tutorial? Investigate before you do. It is a lot of work, and if it exists already, it will probably not sell. If you have a doubt, ask friends whom you can trust if they have seen it before? Kris Empting-Obenland posts photos of her new creations on Facebook and asks if it has already been made, because she doesn’t want to put so much time and effort in something that might already be available for purchase elsewhere. 




When I made my first warped square bail in 2008, shown in the photo left, I was sure that I had invented something! In fact, I did, but I wasn’t the only one. This comes from techniques being the same and the beads having the same size. There is a “math” responsible for similar results in form, especially geometric beadwork. If this happens to you too, don’t be disappointed. You should always be proud of your own finds and not give up making more things in your own sweet way. I still am proud that I made a warped square bail on my own. The pendant is a simplified version of a design called “Carré en Cage” designed the same year by Belgian beader Marielle Baudoin. 



Digital rendition of a Van Gogh painting
offered on www.pixabay.com,
free for all use, without attribution.

If you can copy something others made, be ethical. Many painters copy works by artists like Van Gogh, for example, as an exercise. They are not going to say that it is their painting! They often also pay for a canvas with instructions. If it is an interesting exercise or challenge, don’t brag on social media how clever you feel for having cracked someone’s design! You made something thanks to another person’s efforts and that’s all. Also, don’t let folks believe that it is your own. They will ask you to teach it. Don’t even think of teaching it. That might get you into trouble from a legal point of view. Try to make something new to really be proud of.
 

That said, when things get more complex, like our "further developments", then we are in a grey zone. Our work can be seen as half technique and half "what you do with it makes it unique". Another one might have done it, or be in the process of doing it. Or have done it differently.

In the grey zone we must play fair. If we make something after seeing someone else's work and base our new design on it, we need to give credit, perhaps even ask for permission, etc.

In the grey zone we need elegance of the mind, a kind heart, and honesty. If you know that you could not have made something without seeing or learning something from another designer, you need to give credit and ask for the other designer’s approval to teach.

Helen McIntyre, whose geometric Cellini peyote work is well known, has been confronted with design collision due to the geometric properties of this stitch. For one of her best known Christmas decorations, shown on the left, she used a geometric shape and took it further. She transformed it into a much more elaborate design, but had to teach the basic shape to teach her design. However, she didn’t know who made the pattern of which she only had a small excerpt. She searched a long time and one day found me. 

 We’ve had friendly conversations together, and it appears that she got a copy of a pattern for my Pepper earrings published in 2011 (photo right), for free, on the French forum HDPS.


I am delighted that she made such a beautiful new design with it and she got my permission to teach it.

Why? Well… to contribute to the evolution of the Art of Beading.

Claudia Furthner, who created the lovely Batcycle (and an incredible amount of delightful geometric beadwork) says the following: 


“We are all Beavers! One beaver meets with another beaver, who shows him his dam full of pride. And the first one says Oh, I made one like that too yesterday.”


Photos above: Bead Art by Claudia Furthner - Explorations with shapes and colour gradation. The triangles have an eye on one side and various colour blocks on the other side, which, placed in specific configurations, result in plenty of design possibilities.


Thank you for reading to the end!!

For those who like the Cellini peyote Pepper earrings, you may like my pattern for the 3 Cellini peyote shapes "Pepper, Fork & Yukka flower" or another of my 3D Cellini peyote patterns.


Bead happy and well.

Cath


Sunday, December 19, 2021

A Wonky Christmas tree for a "crooked" Christmas

I didn't  plan on doing anything special for Christmas this year, beadywise. I had my mind focused on Octavio the Octopus, the Sunshine pendant workshop and I want to work more on my 2022 Beadworkers Guild Challenge piece. Not much progress has been made on the latter; it has been an endless tergiversation resulting in tons of beads bought that won't work (the trouble of having a specific idea in mind!). I also have a pile of Czech beads to play with... I'm busy, happily busy.

Beautiful version of Sunshine
beaded by Eileen Montgomery

But!!! I did an unexpected and totally improvised "workshop" in the  Facebook group Cellini Peyote Freaks, a group founded by me but expertly moderated / managed by Linda, Dee, Sarah, Eileen, Karyn and Coral.

Click on the image to go to the FB group
 

Linda asked me if I knew about the existence of a pattern for a Christmas tree design made with Cellini peyote, in particular with the "Bola method". The bola method is flat diagonal Cellini peyote. Immediately an image took shape in my head that I wanted to try to bead.

For this little green Cellini tree, I used a sequence with softly increasing sizes of Czech seed beads (11°, 10°, 9° and 8°). Below the 4 photos show it from each side.

Yes, it is a wonky tree. And the more I look at it, the more I love it. No need for perfection. We need variation.

 I tried to do a live demo on FB, but it didn't work right.

The videos with the instructions are posted in the FB Cellini peyote freaks group. I hope that you will enjoy making your version with your favorite colours and look forward to seeing it.

I also tried to use Japanese seed beads and see what I could substitute. That resulted in this pretty white wonky tree. 

And now members are testing various combos and it is really interesting to work on this together, to bead together. 

Even if far apart, we are close, we are a family. A family of beaders. 

And thanks to this experiment, I discovered that "crooked little Christmas trees are actually a thing. Charly Brown, Grinchmas and even an adorable Christmas tale all feature wonky trees. 

This is a link to a nice lecture, with beautiful
illustrations, great to watch with kids.

One thing leading to another, I had to try another snail after making my Wonky tree, of course, but it was far more complex to do than I thought and it took me quite a bit of trial and error, but I am so pleased with the result! So much better than my previous snails.
I hope to tutify this pretty "Snow Snail" next year.

 


During this challenging year, meeting with fellow beaders through Zoom and Facebook has helped me very much to stay positive and creative, and I hope that this is the case, somehow, for you too.



May the holidays be happy and cosy, may you stay safe, and find reasons to rejoice, even if it are only "the little things".

Merry Christmas to all who celebrate.

Cath

Friday, August 6, 2021

International Beading Week 2021

By golly, what a week, my friends, what a wonderful week this has been! 

Thanks to the ever so dedicated folks of the Beadworkers Guild, we've had the most wonderful online celebration ever with beads. 

It was like a very good cuvée of champagne: great taste, festive bubbles and no headache afterwards.

 Every day a new stitch to talk about and lovely promps and quotes, meetings, a fabulous prize draw and many thing learned. It was fantastic. Even a new international common project has been launched, once more, by Sam Norgard, the "All Colors" project.

It was wonderful to Zoom-meet with people from around the globe. In particular those I've had contact with since so many years. I never dreamt that I'd see them one day in real life. Among these persons were Karen Beningfield from South Africa (beader and designer, member of and graphic illustrator for Contemporary Geometric Beadwork, who also helped me with the edition of the Diamond Weave book), Cate Venn, who is the most inspirational person & part of my "totem", and her husband Christopher Venn, who beads entire dresses in black tiny size 15° seed beads, and Nancy Jenner Kooyers, who is an incredibly talented beader who normally doesn't write patterns, but this year offered a pattern for the most adorable beaded faerie ever. If you haven't seen this tiny fairy yet, come and visit Facebook where they are popping up everywhere and are so cute!

The ambassadors and other designers gave us marvelous designs to play with. You can still download them from the Beadworkers Guild website. The patterns remain there after IBW is over. The collection of goodies is growing each year, and the contributions are amazing.

As every year, I offered a tutorial too. Two, in fact. One for the duration of the week only, to make a Gazebo Cascading tassle, and one for my Year Long Rainbow Project, which is a freeform peyote piece called Rivers of Color. 

The guide can be downloaded for free from my website. I call it a guide, because freeform creations cannot be completely copied. I think, however, that folks will have loads of fun trying this method.

Talking about the year long rainbow challenge: look at the pieces below!!! 

These are the creations of the participants who finished their project this year! I am each year amazed by how much talent there is out there, and by the variety of the pieces too.

Teresa "Keygirl" Shelton created a beautiful geometric bangle made with a clever method of her "cru": "Starts and ends with 3". She also offered her pattern to the BWG to be added to the IBW pattern page.



Diane De Gooyer made a set of bangles to have something to wear every day. Clever!


Diàna Balogh made a bangle with hundreds of little flowers, made with a gazillion little seed beads. We all want to know how she did this. Hopefull she will tell us in an upcoming Journal?


Jessica Hayman created an "eggbox" with intricate celtic knots in the most exquisite camaieu of colors of the rainbow. Mind blown!
And she donated the pattern for 1 knot to the list of IBW goodies!!


Margaret Haigh made her own necklace using the elements from the pattern "Square dance" designed by Heather Kingsley Heath - the pattern is available on the IBW pattern page of the Guild.


Caroline Lloyd created a stylish "French flowers" arrangement. It is incredible how only a few beaded leaves and flowers can become something so complete.


Nancy Deonarine beaded a collection of sparkling peyote pod ornaments - her colors match the IBW logo perfectly.

Teréz Kocsis made lovely little sparkly daisies.


Shelley Gillmann started with the yellow, orange and next colors of the IBW logo and then got so carried away that she didn't make jewelry, but 35 designs for "carrier beads", now offered as one of the IBW freebies for this year. The photo above shows 14 of them.

 Huge compliments to all!

And many thanks to all those who contributed patterns!
The next season is going to be beadybusy!

If you haven't tried yet, come and make a rainbow yourself this year! Each month a little something and at the end of the year you end up having something huge! Like this epic piece by Karan Parker from back in 2018 which I still adore.


Join the Facebook group to post your progress, find tips, or encouragement. 

Happy beading everyone!


Cath


Monday, July 19, 2021

Pick your Path - a secret Beadalong with Cliff Swain-Salomon

The past months have been very busy for me.

 I've been working on several patterns among which my brand new Lady bug, and a tassel (Gazebo, for IBW) and I still am working on on my rainbow project, for International Beading Week. I just wrote a separate article about this. I am a permanent IBW Ambassador after all.

I have also been working since quite a while on a design parallel to the mystery project for the secret beadalong with the wonderful Cliff Swain-Salomon who invited me to join him in this project for the Facebook Group Seed Beads & More.

Pick your path flowers and pods

 We called this project "Pick your Path", because that is exactly what it was all about: making decisions as to what to make with the techniques taught: we made bezels, petals, flowers and pods... 

Pick your path flowers
 
 
Cliff and I published alternately a portion of each step, in writing and in video, so that each participant could try the various possibilities and in the end, choose what they liked most.
 
In fact, we very gently took them down the rabbit hole of designing with beaded elements.
 
Pick your path - various elements and steps
 
I enjoyed seeing what people made. So many different colors and styles! And one big surprise was that no matter what color was chosen, everything that folks made looked lovely. 
 
We mentioned that the pod could be all sorts of things (a pumpkin, a Chinese lantern, a poppy seed pod, a pomegranate). 
Then, folks started to see things that we hadn't mentioned, like an urchin, a cactus... 
Someone even mentioned a thistle, and another a puffer fish! 
 
 We were happy to see that, thanks to our teachings, many felt more confident to create their own flowers and pods, and some even tassels and a potted daffodil flower with stem and leaves and all.

Pick your Path flowers, one with IBW flower petals.

We kept secret until the very end that all the way long, the participants were making...



 
... pencil toppers!
 
How fun is that?
 
I developed a design in parellel, based on my portion of the bead along. It started with a photo of a "Fritilaria Meleagris" posted by Anita Adamson a while ago and of course with a photo of urchins.
 
 


Here I used my own bezel, which is very different from Cliff's. I also included two seed bead brands - and used another bead count. It is also a pencil topper, but it can sure be a flower... 
 
 
 
... or a table decoration, a hair pin adornment, a focal, a brooch, a bottle lid, a doll house poof or a knob cover if you leave out the inside tube... 

 
 
 The way the various colors are placed is the result of many, many explorations.




 
 
You will find the tutorial how to make this urchin here. 
I will be really grateful for your support.


Please note that the urchin is different from the Peyote Cactus (the cactus that gave the name "peyote" to the beading stitch). 
 
Peyote cactus

This cactus includes Cliff's bezel, fine petals and embellishments. The pattern is already half-way done, and, as soon as I can, I will get back to tutifying this fundraiser for RMHC - the Ronald McDonald House Charities.
 
Of course I will let you know when it will be ready, on Facebook and through my newsletter (subscribe to my newsletter to be sure to not miss it).
 
Peyote cactus

 Last but not least, I updated my workshop page with 2 more dates for the Sunshine workshop - there will be more dates, so if these two don't suit you, do not worry. I still need time before I can get "back to work" and take care of this type of things. 

You can contact me to be added to a waiting list. Don't forget to let me know your time zone so that you don't get added to the wrong list.  


 
Sunshine beaded by Eileen Montgomery (Canada)

 

 I look forward to beading together with you again. 

And perhaps we will meet on a special
Zoom drop-in during International Beading Week.

 Be(ad) well, take care

 

Cath